Once, long ago, I asked a taxi driver to tell me the worst thing about his job. I expected him to complain about the long hours or mechanical problems. Waiting to stop at a red light before answering, he said, ’The worst thing about my job is that I never hear the end of the story. People enter my taxi halfway through their conversation and leave without finishing it.’ I often think about that taxi driver and how the fragments of a story inspired me the most. I want my work to feel open-ended, like a snapshot of a much bigger tale, a springboard for one’s imagination to go on an unexpected ride.

​

​​I start each drawing by inventing a story. Long or short or even incomplete, I must have a narrative. Then, I draw the image and consider what textures and patterns I will use for each section. Once I feel that my composition has a compelling flow, I switch on an audiobook or podcast and try not to interfere with the instinctive movements of my hand. I know the drawing is working when I lose track of all time.

​

In my artwork, I want to convey how universally bizarre the world is. Humor is also an essential part of my practice. If people are laughing, they are much more likely to go down a visual journey that would make the viewer see the world through my eyes.