A showcase of the artistic talents of the Del Mar College Art Faculty, featuring prints, drawings, photos, ceramics, sculptures, and paintings.

I try to keep the work open for as long as possible. To do that, I paint directly from life. When painting this way nothing is static. Colors shift with the sun, shadows grow and then disappear. These infinite micro changes insert an element of the unexpected and force me to respond in ways that I could never plan for. Working on paper has allowed me to respond to these changes in new ways, through cutting away, adding to the composition and even collaging new substrate to manipulate the surface. The result is an improvisation of intermingling layers of physical texture, of illusion and flat strokes of color that weave the impression of figure and landscape into a cohesive whole.

Les Estivales is a contemporary art festival launched in 2018 in Sceaux with the support of the Île-de-France Regional Council. For the past eight years, it has invited professional artists to exhibit their work at the Town Hall. This year's edition brings together 27 artists and features 43 works.

The Sponsors of this 2026 edition are Marion Papillon, a French contemporary art gallerist and founder of Galerie Papillon in Paris, and Lionel Sabatté, an artist who graduated from the École des Beaux-Arts de Paris and creates works from elemental materials.

Christophe Delavault, Curator of the exhibition, is the former director of a Parisian art gallery. In 2007, he founded Art Business CD, an art consultancy specializing in the contemporary art market. He is the Artistic Director of the Touquet International Art Fair.

In this exhibition, Anna Kraske proposes a deep reflection on war, technology and human nature. Her work begins with a question that is both brutal and very simple: what remains after destruction?
Through the study of ruins, Anna looks at how political violence is exercised against civilian bodies, against their homes, their streets, their institutions and their infrastructures. Technology has changed the way war is made. It has created distance between those who destroy and those who receive the destruction. From the aerial bombings that marked the twentieth century, with images such as Guernica during the Spanish Civil War, to the ruins of 9/11 or the destruction we are seeing today in Gaza, the same image appears again and again. Different places, different moments, different political reasons, but always the same wound.

Kimberly Callas has a featured portfolio in the recent Women Eco Artist Dialog Magaizine:
Place Setting, Issue No. 15 (2026) Editor: Susan Leibovitz Steinman
"PLACE SETTING is our poetic analogy for community-based, site-specific art. Each essay explores working in a specific community, as a guest or local artist, collaborating with that community to represent its history and culture, goals, and needs."

The Stairwell Show is an ongoing rotating exhibition of small works displayed in the stairwell at Courthouse Gallery throughout the season. This lofty space with its 24-foot high tin ceiling and a double staircase has become a favorite for collectors and visitors. Ard Berge will have several small paintings on view.

The summer of 2026 marks Courthouse Gallery’s 20th Anniversary. To celebrate this milestone, we are excited to host a special group exhibition Ellsworth as Muse. Since the Gallery’s inception, artists, collectors, writers, and poets have worked with us in partnership to nurture art in our region. These ongoing collaborations helped establish Courthouse Gallery as a place where art is seen, shaped and valued—one that has grown into a living art community sustained by collaboration, commitment, and shared purpose.
Ellsworth As Muse (June 15–July 12, 2026) pays homage to the City of Ellsworth where the Gallery resides in the historic courthouse and registry of deeds. Often seen as one dimensional, Ellsworth is more complex than commonly perceived. The City holds layers of history, activity, and character that extend beyond a single narrative. Artists have been encouraged to look past familiar associations and to consider the layers, contradictions, and perceptions of Ellsworth. When seen through an artist’s eye, this exhibition will offer new perspectives that will surprise and engage both local audiences and collectors. There will be an exhibition catalog and a Gallery Talk.

A sweeping group exhibition composed entirely of animal sculptures, curated by artist Eric Fischl with Powerhouse Arts’s Eric Shiner, The Ark brings together ninety sculptures and installations in myriad materials. The Ark refers directly to the myth of the Deluge, an event of epic scale that becomes a metaphor for the present moment, where environmental and social upheaval converge

This summer, Good Naked Gallery x The Clearing invite you to THE PROTAGONIST, an immersive group exhibition that winds through the woods of Cragsmoor, NY.

Artworks with central-figure energy move through the woods, each carrying an implied narrative and a sense of possible response to a world in chaos. This exhibition centers on the moment of beginning — the day you come to light and decide to act. It holds the energy of the new moon: a threshold, a reset, a quiet but decisive turn away from old patterns.

Exhibiting: Five Fingerprints, 2026, native clay from hudson valley, crushed recycled glass,rocks and beach sand, Each print around 24”l x 17”w x 3” d

Inspired by how fingerprints are formed by movements of a fetus in amniotic fluid, these slabs of native and colored clay are stretched with haptic waves of movement, relating new life and the unique patterns on our skin to an earthly strata as they are pressing into the ground.

N/A Project Space presents “Everything is Everything” – a two-exhibition presentation curated by Lauren Hirshfield – during the month of June, concluding during Upstate Art Weekend.
The outdoor exhibition, titled In ter/situ will showcase artworks and installations orchestrated to interact with the surrounding property’s topography, composition, and/or histories. Natural resources native to the region or the property will coalesce with manmade fabric, fibers, and forms in a range of new or re-interpreted works from 10 artists. Participating artists are selected for existing practices or core projects rooted in location and/or natural material, include Benjamin Dimock, Brigitta Varadi, Corinne Beardsley, Courtney Dudley, E Saffronia Downing, Gabrielle Shelton, Jeila Guaramian, Melinda Kiefer Santiago, Melissa Dadourian, Viktorsha Uliyanova.
Exhibiting: As above, So below, 10' x 5' x 3', hydrocal, burlap, steel conduit, roots, rocks, earth, 2026
This figure's form was dug and cast from the ground, retaining the rocks, roots and soil from the site in the silhouette of Schunnemunk Mountain, NY. It is an excavation of the negative space of the earth, carving an inverse of a resting body from the soil, the depth a reminder of where we will return to.

Curated by Manuel Hernandez

PSOAE is a diverse collection of talented local and regional 2D artists who proudly represent the visual arts component of the Piccolo Spoleto Festival. For each of the last 46 years, our show has transformed outdoor spaces into one of the largest free-to-the-public art galleries in South Carolina. This year, the works of 60 artists will be on display for your enjoyment and available for purchase. There’s something for everyone!

The 2026 Master Artist - the 34th recipient of the prestigious title, Elena Rodz, former RCA Curator, is known for her evocative nocturnal oil paintings that reflect her surrounding environments. Rodz fell in love with the flat, vast landscape of the Gulf Coast and made Corpus Christi her permanent home. She served as curator for Rockport Center for the Arts for a decade, helping to connect a small town with the larger contemporary art world. Since 2023, she has taught at Del Mar College, mentoring the next generation of artists. Her home is lovingly shared with pets who outnumber the people two-to-one.

Four recent works by new gallery members

Wonderland not only exists within the pages of C.S. Lewis’s Alice, but is the place we inhabit, suffused with fascination, amazement, and love when connecting with fauna and flora. A state of being in which all life is indivisible. It is this connection to the natural world that is in danger of becoming unfamiliar to us, and that I wish to address from the pages of a well-loved book.
By transforming wildlife into glass, I endeavor to highlight their fragility and preciousness while revealing the immense emptiness should they disappear. Simultaneously, it is an ode to their strength, resilience and beauty.

Moshava Art is proud to present Fennel Eaters, a solo exhibition by painter Tal Tamam, who describes her work in the lineage of those “captur[ing] the instant before gravity takes over, when awareness begins to replace innocence.” Her vibrant scenes incorporate culturally significant vegetables in varying states of ripeness, wholeness or enjoyment, begging the question, “Just how messy is the space between fresh and forgotten?” Using 3D modeling programs to build and reshape her compositions from unusual perspectives, Tamam is able to observe each scene from the outside and adjust the relationships between her figures. The subjects are clumsy and often painted midway through distorted facial expressions, with even the paint applied in a way that is charged with movement, like a series of tumbles. This upcoming exhibition will feature the body of work she has built over the last three years at The New York Academy of Art.

Earthen Plot brings together artists whose practices are rooted—physically, spiritually, or intuitively—in the conditions of place. Selected by UAW founder Helen Toomer from over 200 participants in Open Studios by UAW, this exhibition, hosted at UAW’s HQ in Kingston, of 37 artists considers how creative practices both nurture and unsettle relationships to land, material, and present conditions.

Rip It Up and Start Again is an exhibition where artwork unfolds like a cultivated garden—layered, textured, and vibrant with transformation. In creating these works, an artists making mirrors organic growth; disparate fragments intertwining to form compositions rich in hue and meaning. The artists work of building color, line, form, and entangled narrative becomes a sort of botanical alchemy, as each element contributes to, upon completion, a harmonious whole new being.

The artists collect source material feverishly, and resulting artworks reveal their layered construction with intention. Reclaimed objects, fragments of memory, materials and cultures come together like pigments, blending like wildflowers offer visual bouquets to behold for the viewer. All this forming a rich soil for wonderful unique artworks. Rip It Up and Start Again celebrates process, imperfections, and the resulting beauty that flourishes when fragments come together to create flowers in our contemporary world.

Hollys first solo exhibition in NY

This annual juried gallery exhibition celebrates the talent and creativity to local and regional artists. Since 1976, ART COMP has supported artists with prize money and the opportunity to show their work in the BAC’s Jack Simmerling Gallery.

Tidal Hours
Movement, light, and the endless summer

"Tidal Hours" brings together nine new oil paintings by Eric Price that explore queer life, coastal landscape, and the sustaining power of belonging. Set along the tidal flats, marshes, ocean beaches, docks, breakwater rocks, and dune paths of the Outer Cape, the paintings move through the changing light of a summer day—from bright midday clarity to the rose and violet atmosphere of dusk.

For Price, Provincetown is more than a setting. It is an emotional geography: a place of refuge, visibility, desire, memory, and return. Across the exhibition, figures wade, cross, pause, meet, emerge, and depart within a landscape charged by generations of LGBTQ presence.

Rendered with radiant naturalism, these works honor the male body as a site of dignity, pleasure, vulnerability, and emotional complexity. Price’s gaze is direct but not reductive, attentive to desire as well as friendship, solitude, tenderness, and care.

Light binds the exhibition together: warm sand, reflective water, coral horizons, and blue-violet skies. *Tidal Hours* is ultimately about passage—through water, through time, and through the fragile, sustaining spaces where people become themselves.

Volition art returns a decade after Expressions of Women Rising. Art-painting sculpture poetry inhabits the long middle-the space after emergence and before resolution.

The NYFA 2026 annual Hall of Fame Auction is now live! Browse and bid on an array of artworks by NYSCA/NYFA Artist Fellows, participants of NYFA Immigrant Artist Mentoring program, Fiscal Sponsorship project directors, and dedicated members of our creative community.

The auction presents a unique opportunity for you to enrich your art collection while championing NYFA’s mission to empower artists from diverse backgrounds and disciplines!

https://event.auctria.com/350d2155-8910-4177-bf76-cf29cb6c8940/a780d600ec2e11e9ae081db830846aa5?2bd25550ec3411e98fdeb3a273cf08d8%2FselectedItem=5f468b31-98a5-4141-bff6-cc743901d27d

This weekend is Dumbo Open Studios, a free event where over 100 artists and art organizations open their studios to the public.
Saturday & Sunday 1pm-6pm

Stop by 20 Jay Street, Suite M-10F to see my new work!

Group Show: Ki Smith Gallery
170 Forsyth Street
New York, NY 10002

Hours:
Wednesday - Sunday, 12:00pm - 6:00pm

Beauty: Tom Wolf and Friends
Jane Kaufman, Willy Lenski, Fernando Ruiz Lorenzo, Elizabeth Murray, Walter Robinson, Hal Saulson, Alan Sonfist, Jim Sullivan, Kate Teale, Louise Fishman, Sharon Garbe, Joanne Greenbaum, Duncan Hannah, David Henderson, George Hirose, Petr Hlinomaz, Curt Hoppe, Laura Karetzky, Tom Wolf

Group Show

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DFN Projects is pleased to present Memories of an Undocumented Past, the debut solo exhibition by Chinedu Victor, curated by global art dealer John Wesley. The exhibition brings together a new body of paintings that consider childhood as an active and imaginative construction, not as a fixed historical record. Raised in Nigeria with few surviving photographs from his early life, Victor approaches painting as an act of filling emotional and visual gaps left by an absent physical or digital archive. Instead of pursuing documentary precision, these portraits prioritize emotional truth.

This is the 109th group exhibition, and it is not tied to a specific theme.

The CAIN National Show is an open-theme, all -media annual exhibition of contemporary artists across the country, curated by artist, Tabitha Whitley.

Artist Talk with Curator Tabitha Whitley 02/12/2026

Guest-curated by artists Alta Buden and Craig Monteith, Terrestrial Extra is the 19th iteration of The Dorsky’s annual Hudson Valley Artists (HVA) exhibition. It will present contemporary art by Hudson Valley-based artists who consider how industrial materials pulled from the Earth’s surface or extracted from its depths become integrated into the visual field.

Appearing as features of the terrain, remnants from stone and sand quarries, cement factories, and clay pits reveal the transformative effect of industrial production on our surroundings. Through an aesthetic and ecological consideration of materiality, Terrestrial Extra explores how such remnants—stone, glass, cement, and clay, along with products and byproducts including steel, wood, and charcoal—are also generative art materials.

Exhibiting artists include Johnna Arnold, Corinne Beardsley, Andrew Brehm, Joseph Burwell, Matt Crane, Dan Devine, E. Saffronia Downing, Beth Haber, David Licata, Rita MacDonald, MaryKate Maher, Lori Merhige, Shari Mendelson, Pohan, John Raugalis, Adie Russell, Charlotte Schulz, and Kentaro Takashina.

The CAIN National Show is an open-theme, all -media annual exhibition of contemporary artists across the country, curated by NYAA alumni artist Tabitha Whitley.

The Opening Reception will take place on Friday, February 13, from 6-8pm. Free food and cash bar.

This exhibition is supported by
A Generous Anonymous Donor and the Del Mar Art Faculty


@CainGalleryDMC @DelMarCollegeArt.
@tabitha_whitley_art

"In the End, Everything Gives" presents a selection of works by thirty-one WSG members responding to turbulent political, ecological, and social conditions. The exhibition takes its title from a line by Ada Limón, which names both material and emotional states of yielding:
"Everything gives way-the shorelines, the house decaying and becoming shrub and moss and haunt, the body that gives and gives until it cannot give anymore."
Curated by Sarah Walko

Under the title Polyphonic Views, the exhibition at the KULTURBUNKER in Bonn brings together works by emerging artists who engage with different facets of contemporary life. In collaboration with the Student Art Market and the Dr. Hans Riegel Foundation, the show creates a framework in which young art students can make their individual themes, observations, and perspectives visible to a wider public.
The presented works revolve around questions such as: How do we define ourselves in a complex world? What images arise when we compare or juxtapose people, animals, or social situations? And how do new ways of living and new life designs grow out of personal experience?
These guiding ideas form the exhibition’s conceptual background. The artists explore both figurative and abstract approaches—direct observation alongside translated, imagined, or constructed image worlds. Some works comment on familiar scenes; others shift meanings, challenge associations, or open up unexpected connections. Rather than presenting only outcomes, the pieces also offer insights into the processes behind them: attempts to translate personal experiences, doubts, and questions into visual form.

Curated by Glenn Adamson and Severin Delfs and spanning two Chelsea gallery spaces, Drop, Cloth is a group show that presents a 50-year lineage of draping in contemporary art, both in the literal sense in which the substrate of the canvas is activated, and in the representational sense, where textile forms are depicted. The exhibition will also navigate the social implications of textile and drapery as a feminist intervention and a method of identity exploration. Proudly co-presented by Susan Inglett Gallery and Hollis Taggart, Drop, Cloth will have an opening reception on the evening of Thursday, December 11 at both galleries, but will be open to the public beginning on December 4. The exhibition is accompanied by a physical catalogue with illustrations of works and essays by both Adamson and Delfs.

Sheep Meadow Dance Theatre celebrates the holiday season at Arts on Site with The Nutcracker Suite — a magical evening of dance and art. Immerse yourself in Lauren Woods’ animated digital paintings and exquisite costumes by Sabrina Pretto. This vibrant, abridged production captures the spirit of the season and is sure to leave audiences inspired and full of holiday cheer.

7pm, December 18th-20th. 4pm Sunday December 21st.

Emerging from the artist’s lifelong struggle with insomnia, the exhibition explores fractured states of perception—
where memory splinters, time slips, and emotions intensify in the absence of rest.

Through richly layered oil paintings and bronze sculptures, Ames gives form to the instability of sleeplessness.
Her canvases transform sculptural motifs—often drawn from the female form—
into flickering fields of color where realism dissolves into imagination.

Alongside them, her bronze works retain the impression of touch and gesture,
balancing fragility with permanence, vulnerability with resilience.
Chasing Sleep does not resolve the dissonance of insomnia but embraces it, offering viewers an
immersive encounter with disorientation, transformation, and possibility.

Prince Street Gallery is pleased to present its newest artists to the gallery,
Sarah Sagarin, Tim Saternow and Mark Willie in 3 NEW ARTISTS.
Sarah Sagarin works intuitively, approaching her canvases with curiosity. She begins
construction of her compositions with automatic mark making and a deep dive into the
picture plane to discover and conger imagery. Using no source material, Sarah draws on
her wealth of training in figurative art and baroque painting techniques to create large scale,
surreal, oil paintings which open up ambiguous narratives. The results are each unique
works with subject matter ranging from relationships and familial trauma, to the natural
world and the human condition.
Sarah Sagarin: https://www.sarahsagarin.org/

This is a group show for ten artists. I've called my portion "Faces/Places," a selection of landscapes and portraits in a variety of media including oil, watercolor, tempera, prints, and drawings. The pieces I've chosen represent places and people that have been particularly meaningful in my life and artistic practice.

The other artists are Daniel Kalin, Erin Karp, Art Haz, Debra Magid, Stephen Mohn, Laurence Neron-Bancel, Ilene Ritz, Melanie Roher, and Ruby Slivious..

This year's 3rd Annual Astoria Local Artists Showcase will benefit Catstoria Rescue. Catstoria opens Saturday, December 6th, from 6 pm to 9 pm!
Celebrating all things cats, this show brings together an extraordinary variety of styles and mediums, making it a true celebration of creativity in Astoria.

Brooks will be offering new and exciting collages, Charis will be offering ornaments, and Melanie will bring her beautiful work!

“BoHo Bazaar”, a benefit for New York Artists Equity Association, riffs on high-end art fairs with a healthy dose of 80s downtown DIY nostalgia served up with the fun and accessibility of flea markets, rent parties, and school cake sales. Attendees will be treated to an extravagant assortment of curated “booths” featuring affordable art works, printed matter, craft items and vintage collectibles. Done browsing? No worries; it’s an art party. Grab a beer, sit for a portrait, watch a printmaking demo or bid on guest artists’ drawings of barely clothed models—all while listening to ambient punk rock music.

Downtown luminaries Charles Busch, John Kelly, Gracie Mansion, Carlo McCormick, Chris Tanner will be honored.

In this exhibition of oil paintings and installation, Patrica Watwood’s work is inspired by the playfulness of the Rococo, set in the faerie and imaginative world of the Fey realm of Titania, with a meta-narrative of theatrical trans queer magick and romantic extravagance. Installation elements invite viewers to move through the gallery spaces as they leave behind the world as we know it, and travel into the inner realm of the Faerie Court, a universe of matriarchy, queerness, mysterious beauty, tolerance, inclusion, sensuality and collaboration with spiritual forces. In the Fey Wild, one can expect disorientation and anarchistic egalitarianism that values pleasure, mystery, the delights of entertainment, and the overthrow of business as usual. It is a land of contradictions, bright yet dark, beautiful yet deadly, and full of endless wonder.

With this presentation, Watwood is expanding on her narrative subject matter to create an experience of visual art in a theatrical dimension that invites viewers to consider the place of the imagination to transform our ideas about the possibilities of imagination and the world of reality.

Artists display multiple works they have made through the years and are able to see their personal growth.

Members of the vibrant Garner Arts Center come together to show their work.

Founded in 1974, Small is Beautiful brings together a selected group of contemporary artists working in all disciplines to present works confined to a small-scale format, each piece no larger than 7x9 inches. The exhibition offers artists a chance to engage with scale within their own practice and has long served as a platform to highlight smaller works by internationally recognized names and introduce new talents.

Daniel Austin Lopez’s sculpture of the singer Joey Arias has joined Arias’s archives at the permanent collection of Houghton Library at Harvard University.

Join us at Third Door Studio for an evening of drawing the figure from life, hosted by Maggie Macgregor. Find her work here.

Light instruction provided upon request.

Bring your own materials, ink and pencil only (no paint).

Refreshments included.

7-10pm, $25/person.

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"On view October 24 through November 24, 2025, Thresholds explores moments of passage where boundaries blur between presence and absence, light and dark, beginning and ending. The exhibition gathers some of the finest representational realist painters in the region, presenting work grounded in direct observation, technical mastery, and personal vision. The opening reception held on October 24th will be open to the public - any guest interested in viewing the works afterwards can contact the studio for booking at studio@realistartleague.com."

Stephen is a New York City based artist working in several different mediums including mokuhanga, relief linocut, and oil painting. He graduated with a Masters in Fine Art from the New York Academy of Art in 2009 where he studied traditional painting and drawing techniques. Currently, Stephen is focusing on the combination of Japanese woodblock prints and reductive linocut printmaking together. Oil painting continues to be an ongoing practice for the artist that inspires compositional exploration.

300+ artists across 90 locations in Gowanus are opening their doors, giving the public a peek inside former factories, current warehouses and art studio buildings. I'll be in my studio to sharing work based on an expedition to the Svalbard last year with the Arctic Circle Residency. Studios will be open Saturday and Sunday Oct 18 and 19 from 12-6pm.

In 2014, Long Island-based artist and astronomer Randall DiGiuseppe (b.1969) along with Chinese poet and Nobel Prize candidate Huang Xiang (b.1941) embarked together on an art project never done prior.

The collaboration was inspired by two years of stargazing sessions through Randall’s 12” Dobson telescope at various locations on Long Island and the East Coast. They focused on star clusters, nebulae, galaxies, etc., many of which are only visible during certain times of the year.
By 2016, eighteen large scrolls containing fantasy art and poetry inspired by the night sky were made on archival black paper. Randall painted each scroll in acrylic and gouache while Huang Xiang infused his poetry and calligraphy. The duo named their scrolls "Nocturnes" as a tribute to John Field (1782-1837), Irish composer and founder of the nocturne. The final scroll was completed in September 2025.

"Nocturnes: A Collaboration for the Cosmos" invites be inspired by and reflect upon wonders of the night sky. Dream, create and ask big questions. All are welcome.

𝙔𝙖𝙧𝙙 𝙒𝙤𝙧𝙠 — an outdoor exhibition collaboratively curated in a private backyard in Beacon, New York.
The 30 artists participating in this show will be sharing site-specific works that resonate with themes of interconnectedness between humans and the natural world.

Curated by E. Saffronia Downing, Taussen Brewer and Johnna Arnold
RSVP yardworkbeacon@gmail.com

Opening reception 10/4 — 4PM-10PM
Open hours 10/5 — 10AM-5PM

2025 Art Alumni Exhibition

Visionary Art Collective x Warnes Contemporary
Virtual Exhibition & Print Catalog
Curated by Victoria J. Fry

The word resonance comes from the Latin resonare, meaning "to re-sound" or "to sound together." In music, it describes the reverberation of tones. In physics, it refers to the amplification of energy.

In life—and in art—resonance is the stirring of emotion, memory, and meaning. It is the unseen echo that lingers long after the initial encounter.

For this exhibition, we’ve featured work that explores this theme—whether through visual metaphors, emotional tone, or the literal or abstract interplay of form, light, and space. What does it mean for something to stay with us, to echo inwardly, to feel undeniably personal and alive?

Featured Artists:
Lydia Kinney, Catrin Perih, Wendy Born, Jessica Krause Smith, Nicolle Cure, Matt Panuksa, Narmin Kassam, Heide Follin, Lizz Freeman, Corinne Whittemore, Latika Sridhar, Charlie Serotoff, Catherine Hawthorn, Xin Lu, Annie Norbeck, Jason Engelbart, Rachael O’Shaughnessy, Kim Tateo, Patricia Dattoma,
Sharon Shapiro, Kate Chassner, Nykie Gibbs, Elif Olmez, Moe Leady, Janne Reuss, Emily Ezell, Nuohan Jiang, Leslie Fry, Dawn Howell, Clare Kim, Kimberlea Bass, Annieo Klaas, Camille Warmington

September 25 — November 9, 2025

"Folding Time" brings together the works of Jenny Flexner Reinhardt and Antoinette Wysocki in a vivid dialogue of surface, rhythm, and layered meaning. Reinhardt transforms plastic, collage, and fragments of advertising into luminous abstractions that fold, pleat, and compress into sculptural presence. Her works reflect on impermanence, material excess, and the strange shimmer of contemporary life, elevating everyday detritus into charged visual form.

In contrast and in kinship, Wysocki’s paintings pursue layering through painterly gesture and symbolism. Botanical forms, mythic references, and rhythmic marks overlap to suggest cycles of growth, memory, and renewal. Where Reinhardt’s surfaces gleam with synthetic intensity, Wysocki’s canvases breathe with organic motion, mapping a more intuitive, nature-based accumulation.

Sidereal draws its name from the stars, evoking the ancient practice of navigating by constellations. In this exhibition, Kimberly Callas presents sculptures, drawings, and 3D-printed reliefs that trace the body’s entanglement with ocean and cosmos. Nets rendered in painted filament, whales woven into labyrinths of ink and muslin, tidal moons sculpted in Winterstone, and swimmers collaged from constellations appear as archetypal figures of passage and transformation. Works such as Night Swimmer and In the Beginning There Were Tears speak to grief and surrender, while Red Sky Fish and The Waves reflect the rhythm of tides and warning skies. Together, these pieces map a journey through night and water, where human and oceanic bodies converge, and where to “again navigate by stars” is both poetic return and ecological necessity.

Peter Leeds is a contemporary traditional painter based in Westchester, NY, whose work is rooted in realism and infused with heartfelt storytelling. Born and raised in suburban Long Island in the 1980s, Peter grew up in a blue-collar household where education, hard work, and family values shaped his life. His father, an elementary school teacher, and his mother, an emergency room nurse, surrounded him with adventure books of N.C. Wyeth and the art of Andrew Wyeth and Jamie Wyeth. These vivid images of pirates from ‘Treasure Island’, cloaked characters from ‘Robin Hood’, and pastoral landscapes sparked his imagination and inspired him to see art as a way to connect generations.

Peter earned his BFA from SUNY Cortland College and his MFA in anatomical drawing and figurative painting from the New York Academy of Art. He works in oil, watercolor, acrylic, and pencil, drawing on Old Masters’ techniques, literature, and nature to create a visual journal of his life. His personal art often centers on family and friends, capturing the romance of everyday moments with intimacy and depth.

In addition to his studio work, Peter is known for his large-scale mural commissions in Westchester and New York City.

Lauren Woods has a video included in Under the Three-Faced Moon, a group exhibition by WomensWork.Art in Poughkeepsie, NY. The exhibition explores themes of female identity, spirituality, and rebirth through the experiences of women and non-binary artists.

TBD, group show

A selection of work juried by David Kassan & Shana Levenson.

Arcadia Contemporary presents "Guardians and Exiles" an exhibition of new paintings by Jesse Stern.

In Chromatic Mythologies, color becomes a conduit for storytelling, used to map identity, memory, emotion, and inherited experience. The works in this exhibition span figuration, illustration, and abstraction, where color, concept, and form carry the weight of personal and cultural meaning. Some artists draw from ornamentation and symbolism; others from portraiture or landscape, using visual references to heritage, nature, and the self. Across these approaches, color operates as both mood and method, shifting between clarity and distortion, intimacy and distance. Whether through densely layered scenes or minimal gestures, these works use color interaction, line, and structure to build narrative spaces that are both grounded and surreal. Each piece positions color as the central vehicle for introspection and transformation.

This series emerges from the tangled brush of my hometown in Upstate New York—a place that for me has always been both sanctuary and snare. Through the synthesis of shape, material, and symbolism, I reimagine home as a place where memory evolves into myth, and the truth, if it exists at all, is never whole.

I was interviewed for NPR's Art on the Air radio show/podcast where I discussed my journey and process as an artist.

The show will air on Lakeshore Public Media 89.1FM on Sunday 9/14/25 at 7pm CT. Art on The Air is also heard Friday 9/12 at 11am (CT) on WVLP 103.1FM streaming on Tune In and is rebroadcast on Monday 9/15 at 5pm. The episode is available as a podcast at:
https://www.lakeshorepublicmedia.org/show/art-on-the-air/2025-08-22/art-on-the-air-september-14-2025

An exhibit of regional plein air landscapes by Andrea Williams.

This is a group juried show.

Anything Goes
September 26-28, 2025
Reception:Friday 9/26, 6-9 pm
Sat-Sun 12-6pm.
Anything Goes is a group exhibition curated by Yupin Pramotepipop, presents a contemporary and conceptual mix of traditional, representational, abstract, repurposed in drawing, print-making, painting, sculpture, mixed media, photography and film.
Featured artists:
Diego Briceno, Chin Yin Katz, Logan De La Cruz, Bo Geddes, Yanmei Jiang, Leora Miller, Yupin Pramotepipop, Martin Ray Robinson and Matt Stanton

Studio: 238 Melrose Street #210, Brooklyn, NY 11206

I am participating in the Clio Art Fair in Chelsea, New York City, an exhibition known for supporting independent artists. I will be presenting my paintings
Half Absence -Traces of Light, which reflects on presence, memory, loses, and what remains with us


(After time, distance, and change — what remains within us becomes the
light we follow.)

A contemporary art project celebrating the beauty of the three watersheds that provide drinking water to New York City.
Starting in May 2024, this collaborative effort between professional artists and land planners aimed to create a contemporary portrait of the watersheds. Over the course of 18 months, our team embarked on an immersive journey, conducting field visits, documenting the process through plein air sketches and paintings, video, engaging in on-site research with local experts and historians, and channeling their findings into fully developed studio works.

Independent curator Lauren Hirshfield is excited to present Something between knowing and not, a group show of new and recent work by Corinne Beardsley, Noémie Jennifer Bonnet, Marieken Cochius, and Angela Conant. The selected sculptures and drawings intersect found, foraged, and readymade materials with the intangible wrangling of the human body. The four women are signaling towards a symbiosis between body, self, and place and their attempts at quantifying this complex relationship. The intuitive nature of each artist’s process fuels the methodologies explored in this show, while the overlapping choices in materials - both organic and manmade - and the varied means in which each material is manipulated furthers this investigation into the fluid, powerful, sometimes unknowing, and often fragile connection we share with our environments. Like the title suggests, embracing the space between knowledge and instinct defines the synergy of this exhibition.

curated by Lauren Hirshfield
artwork by Corinne Beardsley, Noémie Jennifer Bonnet,
Marieken Cochius, and Angela Conant
at ADS Warehouse
August 15 - September 13, 2025
Receptions: August 16, 5-8pm; September 13, 4-7pm

Empire of the Gods

Featuring sculpture, painting, and installation by a powerful lineup of contemporary artists, this immersive exhibition re-imagines tales of mythology, ritual practices, and the divine through a modern lens.

Opening Reception Thursday, August 14th from 6 to 9 p.m.

Selected artwork from Kimberly Callas includes:
Anima
Medium: Cast FGR Resin with Bronze Patina
Dimensions: 22” x 17” x 2”

Bank Art Gallery – 94 Broadway, Newburgh, NY

August 14th to October 5th, 2025

@BankArtGallery @k_callas

“Bringing together UK and US artists at this time of global unrest and uncertainty.

i Manifest interrogates the concept of manifestation on many levels, focusing on multiple dualities which exist on a continuum of nothing-to-something; real-to-fake; physical-to-AI; sub-conscious-to-conscious; sticky floor-to-glass ceiling. To reflect this blurring of perceptions & boundaries, many of the works contain dream-like qualities reminiscent of a kind of 'new surrealism’.

This exhibition plays with the ‘existential’ hanging in the air. One American writer of Mark Fraser-Betts’ acquaintance asserted that the universe is currently undergoing a cosmic cycle that is beyond our comprehension. So, in reflecting the incomprehensible, what collective identity can the artists in this show share? Despite, or maybe because of the challenges of this shifting landscape, all of the artists in this show strive to maintain the authenticity of their artistic endeavours while remaining playful and inquisitive.”

Rodz's work examines the beauty found in the everyday and often overlooked aspects of life. As she puts it, “My art is an exploration of the beautiful mundane—asphalt, weeds, and suburban banality. I create the sensation of déjà vu for a place one has or never has been.”

Jenny Brillhart is curious about the unexpected and often overlooked—places and materials plucked from everyday life that arrest her attention. Placed in three-dimensional arrangements in the studio or photographed and assembled in collages, the common and quotidian become subjects for her spare, elegant compositions. Rendered in subtle tones, with considered notes of strong color, there is an atmosphere of stillness in her paintings. Light and shadows describe the forms. The influence of Shaker design and craftsmanship runs deep, as do the Precisionist paintings of Charles Scheeler. Shape, space, and gravity are defined by her masterly mark-making.

The London Art Biennale is a leading contemporary art exhibition that selects artists from around the world for a yearly show.

Five Points 2025 Small Works Juried Exhibition, Juried By: Jill Enfield
Five Points Gallery Opening Reception & Award Announcement: Friday, July 25, from 6-8 PM, Award Winner announced at 7:00 PM.

MUSKEG⁠
Curated by Jacob Rhodes + Jessica Hargreaves⁠
@fieldprojects @motherinlawsart⁠
⁠
July 17-Sep 27, 2025⁠
Artist Reception: July 19, 4pm⁠
@upstateartweekend: July 17-21⁠

“In history as in nature, decay is the laboratory of life.” -Karl Marx⁠

In this expansive outdoor exhibition, I'll be exhibiting a water fountain: "Scroll", 60" x 48" x 26", ceramic, steel, native clay, pumps, tubes, water. 2025

Oceanside Public Library Tiny Art Show

The New York Society of Women Artists (NYSWA) proudly celebrates its 100th anniversary with
Into the NOW – The Time of Our Lives, the second Centennial exhibition in its historic series. The exhibition
will be presented from June 24 through July 19, 2025, at Ceres Gallery in New York City's Chelsea Arts
District, showcasing works by 49 women artists in painting, sculpture, photography, printmaking, and mixed
media.
Founded in 1925, NYSWA has stood at the forefront of women-led artistic innovation. Its early members included
participants in the groundbreaking Armory Show and the Whitney Studio Club, as well as recipients of prestigious
awards like the Guggenheim Fellowship and the Prix de Rome. These artists also contributed to national projects
like the Federal Arts Project during the New Deal era.

2025 Back Bay Plein Air Festival
July 12-20, 2025

This is an online exhibition.

The Painting Center is pleased to present the exhibition Let Nature In, curated by Kathleen Beausoleil and Shazzi Thomas in the Main Gallery and Project Room. The exhibition will be held in person and on Artsy from Tuesday, July 22, through Friday, August 16, 2025, with an opening reception on July 24. Let Nature In features contemporary artists who engage with the natural world by offering fresh perspectives on our ever-evolving relationship with the environment. From the earliest cave paintings of trees and plants to the intricate floral motifs of 10th-century Eastern art, nature has been a constant source of creativity - an open invitation to reflect and create.

“In history as in nature, decay is the laboratory of life”
-Karl Marx

OUTDOOR SCULPTURE EXHIBITION

Curated by Jacob Rhodes and Jessica Hargreaves

In coordination with the Seattle Art Fair, the Conru Foundation is launching its Art Love Salon, a premier exhibition space for classical figurative work of the Pacific Northwest.

Group show with work exploring the feelings and emotions of summer.

’Light is a thing that cannot be reproduced, but must be represented by something else - by color.’’
– Paul Cezanne

Weir Farm’s AIR Program continues the creative legacy started by the Weir Family through the work of contemporary artists. Weir Farm has inspired thousands of artists for more than 140 years, including over 250 Artists-in-Residence. The Park hosts six visual artists each year to spend one month living and working onsite. The National Park highlights the ongoing presence of working artists on the site as a key characteristic of the Park that continues the artistic tradition started by American Impressionist Julian Alden Weir.

Abstraction from the artists connected regionally to the Eastern Shore of Maryland.

Corinne Beardsley
C. Tara and David Gladden
John Ambrosio Losonczy
John Mosher
Brooke Rogers
William Willis

NAWA 136th Annual Members Exhibition
June 6 – 21, 2025. Showing in person at the Leonovich Gallery (520 W 24th street, New York NY 10011) Tuesdays-Sundays 12pm to 6pm.

Bare Tides invites viewers to witness the male figure at ease, at rest, and in quiet moments of belonging. Each painting reflects Price’s careful attention to the landscape, light, and the emotional space where body and environment meet. Through his use of color, composition, and memory, Price offers a space where queerness, identity, and place come together—where even the simplest moment can hold meaning.

In these works, the beach is not just a setting; it is a collaborator and a witness, a place where the figure finds a sense of comfort and transformation. Bare Tides is an invitation to pause, to reflect, and to see the beauty in the quiet moments between the tides.

On Saturday, June 14, the gallery opens to the public with its debut exhibition “Look Again.” The show, which will be on view through August 13, features paintings by Andrea Olivia, Rina Kim, Oneslutriot, and Hopkins himself, as well as ceramic sculptures by Robbie Ginsberg. From Olivia’s intimate portraiture that explores her Black trans identity to queer anonymous artist Oneslutriot’s fierce paintings that span body politics and LGBTQ issues, “Look Again” asks viewers to move beyond the surface to explore the artists’ own process of experimentation. “We’re especially excited to champion emerging voices,” says Luu.

LATITUDE Gallery New York is pleased to present Jeweled Realms, a solo exhibition by Amy Liu, whose newest body of work meditates on the poetics of ornamentation, the inner life of objects, and the symbolic language of beauty. Drawing from a rich lineage of European painting and decorative arts, Liu reclaims the ornamental not as frivolous excess, but as a profound conduit of human longing, resilience, and transcendence.

Artists have used storytelling to fill gaps in history, reframe present-day narratives, and imagine alternative futures. Flushing Town Hall has invited artists to submit artwork that embraces storytelling and speculative narration as creative tools to address gaps in history and misunderstood identities. Referencing the liberation stories behind Juneteenth and Pride as potential starting points, artists deeply examined these and other historical narratives to unearth stories that remain unsung.

“Painting Today” is an online juried exhibition that explores how painters are engaging with and challenging traditional approaches to the medium.

Laura Karetzky's artistic approach involves challenging traditional narrative structures. She achieves this by merging multiple moments into a unified, believable instance, which alters the viewer's understanding of time and perspective. Her works evoke the feeling of simultaneously experiencing multiple narratives, rather than being confined to a single, linear story.

Karetzky’s double-sided works feature cut-out openings in the picture plane, inviting the outside world in and creating space for unpredictable relationships to emerge. Others are one-sided yet convey a friction of time through layered points of view. In today’s turbulent political and social climate, her practice interrogates the very nature of truth—what it means to tell it, obscure it, or exist within its many competing versions.

A hybrid of oil painting, clay sculpture, woodcut, and sgraffito, her compositions carve paint into relief surfaces, apply ceramic glazes to render illusionistic space, and push the boundaries of the rectangular canvas. “I am asking myself and my materials to perform in diverse ways, as one idea becomes several, while exploring the condition of being in perpetual juxtaposition with other spaces,” Karetzky explains. In doing so, her work does more than depict reality—it destabilizes it

Group show

Everyday Heaven is a transhistorical exhibition about rural America and specifically rural Wisconsin. The presentation brings together two unlikely, yet perfectly paired, artists — Rafael Francisco Salas (b. 1973) and Charles Van Schaick (1852-1946).

Together, the artwork of Salas and Van Schaick contradict assumptions about what it means to live in rural America, who can lay claim to its identit(ies), and how poetry and history can interweave to create a mysterious and haunting record of where we live.

A collection of 40+ small pieces; Portraits, animals, landscapes, and still lifes.

I am opening my studio amidst the annual LIC Arts festival. Come see paintings in person including new Lunoids, pick up prints or catalogs, and enjoy silent 10x10 auction across the hall.

DKBS's eight works, inspired by ancient artifacts and exhibited at the museum, focus on humanity and its relationship with the earth and nature. The artworks reflect the artist's interpretation of ancient Macedonian culture as encountered through the museum's permanent exhibitions, expressed using his signature metalpoint and egg tempera applied on iconography wood panels.